
One thing I like about that painting is the depth. The gutter line, offset from the centre subconsciously draws your eyes through, leading to the furthest point in the image. The overarching beams and buildings leading up to the archway keep the closeknit feeling of where the painter is sat too.
This sort of painting evaluation is pretty obvious when you look at the painting and see it for yourself, no bollocks whatsoever. A lot of modern art is devoid of this though, you're absolutely right. There is no way I could have
anything to say about something like Red Yellow and Blue:
You must log in or register to see images
You just stare at it blankly thinking... erm yeah..