Why are they called Jeff Lynne's ELO now?
Royalties?
Coincidently or not, Roy Wood did the same with Wizzard.
Why are they called Jeff Lynne's ELO now?
Curse of the reform several times with several line ups.
JL just wanted to make it clear to fans that this iteration was one he was still in!
Guess it's just another way of saying you aren't going to get the drummer and a backing singer turn up, and a name rights legal case when you pay for the tickets... Plenty of groups have split and the main song writer finds he or she has less claim to the band name then some obscure members who may have formed it earlier.
I caught much of Jeff Lynne and I thought the crowd were 90% bored to tears and 10% embarrassing dad dancing. To be fair, Ive done muddy Glastonbury's in the past and it's both mentally and physically exhausting by the Sunday.
I really wasn't trying to dis them although I may think they deserve it. I was seriously surprised to find they still had the credibility to get a gig like that. I thought their bubble had burst years ags.
Re the two types of music, for me it boils down to the unmeasurable and elusive quality of soul. Or a least passion. Lacking that and it's just product. Even then I am as partial to a bit of well played and structured pop as anyone else,
I don't think it compares to the Sega/Nintendo analogy at all. At least among people who have passed puberty anyway. (But I wouldn't want to get into any pointless argument with anyone who did.)
10 minutes after the last train to Clarksville. Now there's a group! (NOT!!)What time's the last train to London?
10 minutes after the last train to Clarksville. Now there's a group! (NOT!!)
What? ELO or The Monkees? Hopefully the former!Sorry - can't get it out of my head.
I am.not a big fan of ELO. Was just making an observation of the longevity of so many bands from the sixties and early seventies both here and the USA.
What? ELO or The Monkees? Hopefully the former!
I really wasn't trying to dis them although I may think they deserve it. I was seriously surprised to find they still had the credibility to get a gig like that. I thought their bubble had burst years ags.
Re the two types of music, for me it boils down to the unmeasurable and elusive quality of soul. Or a least passion. Lacking that and it's just product. Even then I am as partial to a bit of well played and structured pop as anyone else,
I don't think it compares to the Sega/Nintendo analogy at all. At least among people who have passed puberty anyway. (But I wouldn't want to get into any pointless argument with anyone who did.)
I was talking about Coldplay but point taken re ELO and other dinosaur bands.
For me once it reaches stadium proportions, an important intimacy is lost. And yes I do remember The Beatles were playing stadiums in the early 60's. Not just a new phenomena.
But there was still room for mega artists to play smaller gigs in small town venues right up to the late seventies. Bowie at Brid Spa when Ziggy was massive in the early 70's for eg. Wouldn't happen now I don't think except the odd band making a point of doing so. Profit must be maximised at all cost.
Pleased to see a once "big" if short lived band who did stadiums will shortly be reforming for a small club gig in Hull.
Saw the Stones, Animals, Who, Small Faces, Spencer Davis, best performance of all Little
Richard and numerous others at Brid Spa. More enjoyable than seeing them in a massive arena. They used to let in 5,000 in those days which made for quite some atmosphere.
Which is the reformed band? Might tie in with something someone was telling me the other day.
Last Train To Clarksville is a great song.
The Monkees encapsulate what I was saying about well played pop.
They could be deeper too though. What about Circle Sky? And they actually played their own instruments on that.
Not just a bubble gum confection.
You must log in or register to see media
They could play them all by the end.
Davy Jones certainly played Ena Sharples' heartstrings (one for the wiser, more experienced ones on here).They could play them all by the end. They were discounted because of their origins in a manufactured (and rather daft) TV show, but they actually made some good records.
Davy Jones certainly played Ena Sharples' heartstrings (one for the wiser, more experienced ones on here).