Off Topic - The Superhoops music thread

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will have to see them next time
had some visitors from ireland over for the weekend (they were visiting their daughter in sydney)
couldnt even persuade the eldest to take the tickets

not a single person i know has even heard of them

Well you know some of us, and we all know who they are!

That's a shame, I hate missing out on gigs that I have tickets for, but sometimes work commitments mean I have to sell them (some of the resale sites are quite good up here) - I always offer them at under face value and most of the time they get snapped up.
 
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Going to see them on Wednesday...can't wait...seen them three times before, twice as support to The Cure, and once as support to Editors so this is the first time I get to see them headline. The new album is quite dark, dealing with some heavy issues, but a lot of their older stuff is quite dark too!

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Keep hearing this and checking who it is, always good when a sound keeps catching you out.

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Keep hearing this and checking who it is, always good when a sound keeps catching you out.

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Whenever I hear this, I expect Bobby Gillespie to start singing - the opening chords sound just like something off Screamadelica
 
Didn't really want to go to see split enz
Didn't think I knew enough of the music to make it a worthwhile Thursday night
Looking at the setlist I knew four songs by the title

How wrong was I
Knew about 75% of their stuff
I would highly recommend them if they tour further afield

Great night out



Split Enz Are at Their Dazzling Best on New Zealand Reunion Tour
Icons in every sense of the word, Split Enz returned to Pōneke Wellington for a mesmerising show at TSB Arena last night

By ÉIMHIN O'SHEA
Split Enz in Wellington
Supplied

Split Enz


TSB Arena, Wellington

Wednesday, May 6th

Icons in every sense of the word, Split Enz returned to Pōneke Wellington for a mesmerising show at TSB Arena last night.

Celebrating over 50 years since the release of their debut album Mental Notes, they’ve had ample time to hone their craft, and the first Wellington show of their highly anticipated reunion tour showed they do indeed still have it.

The stage was set by hometown heroes Hans Pucket (read our interview with the band here) whose indie rock songs perfectly warmed the crowd up. Their wry “make sure to stick around for Split Enz” at the end of their set drew a chuckle.

Rapturous applause welcomed the main event of the night as Split Enz emerged onto the stage.

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They launched straight into an electrifying rendition of “Shark Attack”, from their fifth album True Colours, which made clear from the outset that the band’s effortless stage presence is alive and well.

The energy and skill on display throughout the night made it seem like the band had never left. New members drummer Matt Eccles and bass guitarist James Milne, meanwhile, more than held their own alongside the Finn Brothers.

It’s impossible to discuss Split Enz without acknowledging the indelible mark they’ve left on Aotearoa culture, and their Wellington show lovingly paid homage to that without ever crossing into self-indulgence.

The band’s eclectic and colourful suits unsurprisingly made an appearance. A wonderfully psychedelic backdrop animation showed examples from throughout their career, which must surely have had seasoned fans reminiscing about unforgettable past tours and shows.


Credit: Supplied

Keyboardist Eddie Rayner told the story of watching Split Enz perform on the only TV channel in the country back in the day long before he joined the band; Tim Finn delighted in sharing how he only just learnt during this tour of Rayner’s previous job working in the Auckland sewers despite knowing each other for more than half of their lives.

The crowd was at its most alive towards the second half of the show with the ever-charismatic Finn brothers leading an arena-wide spooky sing-along to the 1977 classic “My Mistake”, which only grew over the following songs until every aisle was filled.

Split Enz deftly balanced their pedigree and whimsy in a show that had the entirety of TSB Arena smiling.

At their best, the band are truly dazzling, and as the performance concluded with their unforgettable hit “I See Red”, it was impossible not to be swept up by the exact same charisma that turned them into breakout stars all those decades ago.

That’s why Split Enz continue to sell out venues in Aotearoa more than 50 years on, playing to crowds that range from those who grew up listening to them to those who weren’t even born yet when they started.

Ticket information for Split Enz’s upcoming tour dates can be found here and here.

In This Article: Split Enz, Split Enz Aotearoa, Split Enz New Zealand, Split Enz Review, Split Enz Tour, Split Enz Tour Review, Split Enz Wellington, Split Enz Wellington Review



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April 14, 2026 2:08PM
Seven Beck Songs That Deserve An Orchestral Arrangement
To celebrate Beck’s first orchestral performances in Australia, we took a look at the artist’s towering back catalogue to speculate on which tracks are poised for a symphonic reinvention.

By Jasmine Wallis
Beck
Pooneh Ghana

Created In Partnership With The Sydney Symphony Orchestra
The genre-defying musician Beck is returning to Australia for the first time in three years for a string of live orchestral shows.

Having already performed with orchestras in iconic venues like the Royal Albert Hall and Carnegie Hall, this May, the musical chameleon will take to the stage at the Sydney Opera House alongside the Sydney Symphony Orchestra. The performances mark his first orchestral shows on Australian soil and offer a rare chance to hear highlights from Beck’s three-decade discography.

Ahead of the shows, we took a look at Beck’s back catalogue to speculate on the tracks that are primed for an orchestral treatment.

“Gimme”
Released in 2013 as a stand-alone digital single and double 12-inch vinyl, “Gimme” is an experimental xylophone-heavy track. Beck’s overlapping vocals create a dream-like, looping effect that could be creatively adapted to an orchestra setting. Its booming drums would also reverberate epically through the Sydney Opera House’s Concert Hall.


“Loser”
It’s almost certain that Beck will be performing a rendition of his breakthrough 1993 track “Loser”. The song is now a certified Gen X anthem, exemplifying the “slacker” generation and culture of ’90s Los Angeles, and was named one of Rolling Stone’s 500 Greatest Songs of All Time. Given its cultural impact, Beck fans deserve to hear “Loser” in an orchestral arrangement.


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“Debra”
The 1999 track “Debra” from Midnite Vultures is a smooth R&B-inspired ballad with an instantly recognisable trumpet-infused chorus and bridge. The story is one of seduction, with Beck pulling out all of the stops to woo a woman and her sister, Debra. Thanks to its strong horn section and building bassline, “Debra” would make for a creative orchestral number.


“The Golden Age”
Beck’s album, Sea Change, marked a distinct tonal shift for the alternative rocker. Instead of the irony-drenched lyrics of the ’90s, the 2002 album showed a more sincere side of Beck as he explored themes of heartbreak, solitude, and loneliness during his split from his partner of nine years. The album’s opening track, “The Golden Age” feels especially primed for an orchestral rendition. It’s slow-burning, melancholy melody could lend itself naturally to a rich, strings-led reinterpretation.


“Guess I’m Doing Fine”
From the same album comes the track “Guess I’m Doing Fine”. Another more melancholy song, this breakup track has all the makings of a moving orchestral piece: a slow, echoing pace paired with Beck’s hauntingly sad vocals.


“Blue Moon”
“Blue Moon” was released as the lead single from Beck’s 2014 album Morning Phase and garnered him two nominations at the 57th Grammy Awards (Best Rock Song and Best Rock Performance). The track marked another turning point for the artist as the soaring mandolin and piano create a sense of optimism, despite its lyrics that once again ruminate on the concept of loneliness. An orchestral rendition could create a totally new, tragic sound for the melodically hopeful song.


“Think I’m In Love”
Beck’s seventh studio album, The Information, delivered the romantically endearing track, “Think I’m in Love”. With its constant drawling bass line, the song offers listeners a laidback pace before upping the energy with a piano-backed chorus. Given the bridge’s pre-existing violin section, it could make for a creative orchestral arrangement.


Book your tickets to Beck with the Sydney Symphony Orchestra now.

In This Article: 103951, Beck, Native, Sydney Symphony Orchestra



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