Afraid I took against this before it was even broadcast. It was relentlessly plugged on the BBC as the next ‘big thing’ from the Peaky Blinders writer, who is dedicating his life to creating myths of Birmingham (The Peaky Blinders gang specialised in street crime, was mainly kids and was defunct by 1910. They didn’t sew razor blades in their caps either, just wore them at an angle over one eye).
My wife was was born and bred in Handsworth, living there in the Sixties, Seventies and Eighties, and she was laughing at some of the claims made in the trailers about ska in 1981 in particular (it happened, almost exclusively except for The Beat and Madness, in Coventry in 1978/79). Brum was a reggae town, and even UB40 started in 78. Then there was an interview with the writer prior to a showing of an episode in Brum, where he was saying that he’d invited members of the Zulus, the especially nasty and vicious Birmingham City firm, to see it because he wanted their approval. Apparently he thinks that because they are a multi racial crew they are heroes not violent ****s. And anyway, it was just a chant in 1981, the firm didn’t emerge until later in the 80s. Also there were no IRA bombings in Birmingham in the 80s. I did catch 10 minutes of an episode which featured a boy being bullied by his dad to work for the IRA. Great fun.
I know it’s just entertainment and accuracy doesn’t matter, and a lot of the locals have loved the bigging up of the city brought by Peaky Blinders (didn’t watch that either, lot of stylised violence I’m guessing…..) and will doubtless like this too. What they could do with is a series like Alan Bleasdale’s brilliant G.B.H exposure of corruption in Liverpool which he didn’t even set in Liverpool. Birmingham council’s ineptitude and some pretty obvious electoral dodginess have meant that the citizens are going to face years of reduced or zero services and amazingly high local taxation.
Actually I rather like Birmingham. It’s nothing if not authentic, has some great boozers and no pretensions to be anything other than what it is.
I am looking forward to seeing the new version of Ripley with Andrew Scott on Netflix though.