Right, genius is a much overused word, but in the case of Stewart Lee it’s an accurate one. Two sets, the first Tornado, based around a mislabelling of one of his shows on Netflix, the second, Snowflake, a defence of political correctness. Of course including deconstruction of what he is doing at every step, repetition, call backs etc etc. Plenty of recognition of the virus situation, there were empty seats (as they had been paid for Lee didn’t care) but not so many. He promised to keep to time so we could all get home quickly, but both planned 50 minutes sets stretched out, blissfully, to 70 minutes, and I for one couldn’t tell what was improvised, except for him savagely berating people taking their seats late or getting up during the show.
Lee is very keen that his work isn’t taken out of context (ie you see the whole show because everything is linked and incredibly carefully constructed) as it is regularly by ****s in the Daily Mail. Suffice it to say that this show would probably induce strokes in the ‘political correctness gone mad’ brigade and fans of Tony Parsons, Alan Bennett, Phoebe Waller Bridge and especially Ricky Gervais (a wordless 10 minutes on how Gervais would actually sound ‘saying the unsayable’ had me helpless). But it’s not meant for them.
He finishes on a song, a little gentle folky number (he can play the guitar and has a decent voice), an ode to political correctness and being a snowflake. It finishes on the line ‘Go **** yourself, Boris Johnson voting ****”.
Brilliant, highly recommended, download the whole show when it is available - he’s meant to be on tour until August, but I’m guessing that 2000 people in a closed space like we had last night won’t be allowed soon.