Aged 15, he hitch-hiked from Manchester to the Apple Records headquarters in London with his brother and staged a sit-in before engineers eventually let them record a session.
With his post-punk band The Freshies, Sievey was on the fringe of the late-1970s Manchester scene.
"He was just a really nice, amiable chap," remembers Mick Middles, who wrote for music magazine Sounds and is now writing a biography titled Out Of His Head.
"All the other Manchester musicians were very competitive and he didn't seem to be. He was just nice to be around."
Sievey wrote countless letters to record companies and got countless rejection letters in return. Undeterred, he set up his own label.
But the closest they got to the charts was number 54 in 1981. After The Freshies split, Sievey kept making music while also experimenting with the newfangled art of computer programming.
In 1983, he released the solo single Camouflage. On the B-side was the audio data for "the world's first computer promo", a music video created entirely using the Sinclair's blocky graphics.
But his music career was going nowhere. Sievey was an all-round, restless creative spirit and in the early 1980s Frank Sidebottom started to take shape.
"I think he tried every which way to be successful, and for whatever reason it just wasn't happening," says David Arnold, Sievey's road manager for the last five years of his life.
"I think he got to a point where he thought, 'Shove it. I'm just going to do something that entertains me.' Fortunately he came up with the Frank thing and people liked it."
Arnold is now working with director Steve Sullivan on a documentary about Sievey titled Being Frank.
Frank took off, appearing on Piccadilly Radio in Manchester, children's TV programme No 73, Anthony H Wilson's Channel 4 game show Remote Control and slots on BBC Radios 2 and 5.
He supported boy band Bros at Wembley Stadium in 1989 (disastrously by all accounts) and reached the peak of his fame with his own TV series, Frank Sidebottom's Fantastic Shed Show, on ITV in 1992.
Sievey was deadly serious about staying in character as Frank Sidebottom when he was wearing the fake head.
"If he had the head on and you called him Chris, he would just ignore you," says Arnold. "I think he went above and beyond the call of duty with that.
"Everything would change - his body language, the way he sat, the way he moved, the way he talked. You were with another person.
"It didn't matter whether there was just one person there or five people or 500 people. When the head was on, you were in Frank's company. Chris was gone."
With his post-punk band The Freshies, Sievey was on the fringe of the late-1970s Manchester scene.
"He was just a really nice, amiable chap," remembers Mick Middles, who wrote for music magazine Sounds and is now writing a biography titled Out Of His Head.
"All the other Manchester musicians were very competitive and he didn't seem to be. He was just nice to be around."
Sievey wrote countless letters to record companies and got countless rejection letters in return. Undeterred, he set up his own label.
But the closest they got to the charts was number 54 in 1981. After The Freshies split, Sievey kept making music while also experimenting with the newfangled art of computer programming.
In 1983, he released the solo single Camouflage. On the B-side was the audio data for "the world's first computer promo", a music video created entirely using the Sinclair's blocky graphics.
But his music career was going nowhere. Sievey was an all-round, restless creative spirit and in the early 1980s Frank Sidebottom started to take shape.
"I think he tried every which way to be successful, and for whatever reason it just wasn't happening," says David Arnold, Sievey's road manager for the last five years of his life.
"I think he got to a point where he thought, 'Shove it. I'm just going to do something that entertains me.' Fortunately he came up with the Frank thing and people liked it."
Arnold is now working with director Steve Sullivan on a documentary about Sievey titled Being Frank.
You must log in or register to see images
Frank took off, appearing on Piccadilly Radio in Manchester, children's TV programme No 73, Anthony H Wilson's Channel 4 game show Remote Control and slots on BBC Radios 2 and 5.
He supported boy band Bros at Wembley Stadium in 1989 (disastrously by all accounts) and reached the peak of his fame with his own TV series, Frank Sidebottom's Fantastic Shed Show, on ITV in 1992.
Sievey was deadly serious about staying in character as Frank Sidebottom when he was wearing the fake head.
"If he had the head on and you called him Chris, he would just ignore you," says Arnold. "I think he went above and beyond the call of duty with that.
"Everything would change - his body language, the way he sat, the way he moved, the way he talked. You were with another person.
"It didn't matter whether there was just one person there or five people or 500 people. When the head was on, you were in Frank's company. Chris was gone."
You must log in or register to see images
