U2, no chance. I can't abide them.
Absolutely. Pretentious sh*te
U2, no chance. I can't abide them.
It's twee pop which the '60s girl groups did much better. I think Abba were half decent songwriters, but they only copied what had gone before.
The point of my original comment was that the creativity and originality always seems to be U.S or U.K based. Are we/they culturally creative in a way that other nations aren't?
How much of this is down to familiarity, though? Lots of countries speak English, so the music spreads further.It's twee pop which the '60s girl groups did much better. I think Abba were half decent songwriters, but they only copied what had gone before.
The point of my original comment was that the creativity and originality always seems to be U.S or U.K based. Are we/they culturally creative in a way that other nations aren't?
Short answerIt's twee pop which the '60s girl groups did much better. I think Abba were half decent songwriters, but they only copied what had gone before.
The point of my original comment was that the creativity and originality always seems to be U.S or U.K based. Are we/they culturally creative in a way that other nations aren't?
J-Pop and K-Pop both approach this issue in the same way: switch to English for either a line, or even a couple of words, as it helps the flow.Apart from the prevalence of English as a spoken language, the language
itself may also be an advantage. Many years ago I saw a documentary about the
Hip-hop scene in France. One of the guys spoke of some difficulty in
constructing the rhyme structure used in rap (homonyms etc) .
German similarly does not have a great soft-sounding flow to it.
Short answer
No.
Long answer
While it may appear that all popular culture flows through Airstrip One, the fact is that it doesn't and we are only exposed to a very limited amount of what other countries produce. For example, how many songs in a non-English language have been breakthrough hits in the UK? Off the top of my head, I'd say Je t'aime… moi non plus, 99 Luftballoons and Gangnam Style.
In years gone by, not singing in English was seen as a reason to not invest time promoting an artist outside of their cultural sphere, for example you could probably count people in the UK who had heard of Shakira before 2001 let alone bought her four albums on one hand - but when she made her English-language debut she became pretty damn huge pretty damn quick. It's telling how for a long time there was a belief that singing in a language that isn't English would alienate potential listeners, hence tATu was re-recorded in English (even though the song sounds WAY better in Russian), while English language versions of some Rammstein tracks were recorded, even though Du Hast loses all its meaning if translated into English.
It is telling that so many artists who aren't from the US/UK corridor that became big have sidestepped the language barrier, either by singing in English (ABBA, Shaikira, Bjork) or making music that doesn't require vocals (Kraftwerk, Jean-Michel Jarre, Air, Daft Punk) - but the reality is that a quick trip to Youtube will show not only the creativity and originality that exists in other countries, but also how big they are.
This goes a long way to explaining why Gangnam Style blew up in the way that it did, to the point it currently has 2.7bn views on Youtube: PSY already had a huge fanbase in Korea, which got the video for Gangnam Style onto Youtube's algorithms, and because the song was catchy enough and/or the video was quirky enough it picked up traction in the West - something made much more likely by the advent of digital downloads.
There's also another way to look at it: for years we were told how Robbie Williams was the biggest pop star we had, yet nobody in the US had a clue who the bloody hell he was. Lucky Americans...
Joni MItchell, Bob Marley & the Pogues, for me, though I've probably forgotten some, and am anything but the world's best informed music fan. The US and the UK have dominated blues based electrified music because it was invented in the US and taken up as a kind of religion in the UK, who transformed it into something bigger, because I think the UK is much more attuned to style and fashion than the US is. Between the head start and the media capitals of the world being London and New York, with Los Angeles not far behind, and English being the media's dominant language, it's hard for people from other countries to compete. The countries which have had the most impact have been the ones sitting on the doorstep, I think, Ireland and Canada. Canada, in particular, has had any number of notable musicians, including Neil Young and Robbie Robertson.Struggling to think of any you could call great.....
When you look at the history of popular music, all the great artists have been produced by one or other of two countries - the U.S and the U.K.
How do we explain this cultural phenomenon?
I just assumed Louise Mensch had tweeted yet another imbecilic comment about how the world outside America is a cultural wasteland - and when called out on it she promptly deleted it, because like all Tories she fails to understand how screengrabs work.Just a quick question - how did this music discussion end up in the Politics thread??? lol
She's hardly unique among Tories, as so many of them can be fairly described as swaggering, if incompetent, bullies. The exact same can be said for Theresa may, David Cameron, Boris Johnson, George Osborne, Louise Mensch and Amber Rudd, among many, many others.Priti Patel = Dork. Is that the correct spelling? of Dork!
It is telling that so many artists who aren't from the US/UK corridor that became big have sidestepped the language barrier, either by singing in English (ABBA, Shaikira, Bjork) or making music that doesn't require vocals (Kraftwerk, Jean-Michel Jarre, Air, Daft Punk)
Shakira has sold piles and piles of records in South AmericaHow much of this is down to familiarity, though? Lots of countries speak English, so the music spreads further.
If there's a particularly original band in a non-English speaking country, then they probably still won't get much coverage here.
They'd probably have to speak Spanish to be influential across multiple continents.
The only Spanish native-language artist that breaks about the top 50 in sales is Julio Iglesias.
Was he innovative? I've got no idea.
Carlos Santana, maybe? The language is irrelevant there, admittedly.
I await the inevitable Babymetal link from Croydon. No doubt that they're very different.